![]() ![]() Or how about built-in Track Advance and Delay, which lets you slide individual tracks around in time to get just the right feel. Want more? Because the DA-38's transport is so precise, you can define tighter punch in/out points than previously available in the analog domain, while the unit's variable digital crossfade assures absolutely seamless punch-ins under a variety of conditions. With this feature, you can permanently leave a mic preamp connected (for example) to input one and still have the freedom to route that input signal o any track you want. No need to be reaching around to the back panel or messing with patch cables. This intuitive function gives you the reedom to easily route any input to any track - right from the front panel. What's almost more amazing is how easily this can be accomplished from the front panel via the DA-38's simplified, menu-driven interface.Īnother innovation is the DA-38's built-in Electronic Patchbay. Digital Track Copy can be used on a single DA-38 or between two units. Imagine recording three separate takes of a guitar solo on three different tracks and then assembling them into one unified "best-of" performance onto a fourth track. For example, the unit's Digital Track Copy function enables you to perform assembly composite edits that provide tremendous creative freedom. We mentioned features earlier, and the DA-38 really delivers. And of course, DA-38 tapes are fully interchangeable and compatible with DA-88s, so any combination of recorders can be linked together for up to 128 tracks of superb digital audio. ![]() The DA-38 provides you with the two industry-standard sampling rates (44.1 and 48kHz), ensuring full ompatibility with other digital equipment. Delivering a near-flat 20Hz to 20kHz frequency response and a dynamic range that exceeds 92 dB, 18-bit, 64 times oversampling Delta-Sigma A/D converters and 20-bit, 8 times oversampling Delta-Sigma D/A converters, the DA-38 has the audio specs you're looking for, as well as the very latest in A/D and D/A designs. Of course, since it's from TASCAM, the people who have a long history of building superior multitracks, its sonic quality will absolutely blow you away with the very same sound that earned the DA-88 the coveted Emmy Award for Outstanding Achievement in Technical Development. The DA-38 also features a rugged transport, ergonomic design and features specifically aimed at today's musicians, plus it offers a full complement of optional accessories like remote controllers, MIDI machine Control (MMC) interfaces and a whole lot more. The Hi-8mm format provides one hour and 48 minutes of audio on a standard 120 Hi-8 videocassette tape, meaning you won't have to switch tapes part of the way through a project. While the DA-38 owes its heritage to the incredible DA-88, it has a feature list and price specially designed for musicians. However, many musicians found its $4799 list price to be just a bit too steep and didn't need all of its features. The TASCAM DA-88 has received a ton of critical acclaim since its initial release and has earned a lofty position as the multitrack of choice for the audio post-production market, due in no small part to its many modular video sync options. ![]()
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